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Monday, February 3, 2014

#Excerpt from Beyond Neanderthal by Brian Bloom @BrianB_Aust #Thriller #AmReading

Chapter 12 – Visit to a Blue Amber Mine

As Tara alighted from the vehicle, she found herself facing a ghostly white haze of wispy, low-lying clouds that hung as if suspended in time above the undulating hilltops. The peaks rose from the variegated emerald and olive valley below and stretched into the distance amid a virginal mixture of lush equatorial undergrowth. She drew a deep, involuntary breath.

‘Wow!’ There were no other words to describe the feeling of awe-inspired privilege that washed over her. The vista was about as far removed from Central Park as a New York city skyscraper was from the little pastel coloured huts lining the Carretera Turística.

Aurelio smiled. Intuitively, he seemed to understand that the most appropriate response to this magnificent sight was silence. It was a full two minutes before Tara gathered her thoughts.

‘Let’s get going,’ she said.

They made their way carefully—gingerly climbing over dead logs, negotiating their way around rocky outcrops, and grabbing onto available plant life to steady themselves as they walked and stumbled their way towards the valley below. On either side of the track, a mixture of tall, fronded plants grew in an array of shapes and sizes beside stunted and gnarled old trees with deep green foliage. Tara thought of the trees like friendly bystanders, their leafy branches protectively shading
Aurelio and her from much of the glaring sunshine above. They came across a trickling stream, which they followed for a while; Tara ever mindful and vigilant, watching for any sign of wildlife in the undergrowth. Except for the background humming of insects, the occasional noisy squawking of a flock of parrots flying past overhead and, once, the silent imprint of a shoe sole on the muddy banks of the stream, they seemed to be alone.

Then, in a clearing, they came across a group of young men standing seemingly relaxed and chatting.
A few feet away, under a lean-to made of branches and palm fronds, one of them squatted while cooking something on a small paraffin or gas stove. Aurelio and Tara had arrived at the mine.

Again, there was a short conversation in Spanish. Again, there was a wrinkling of noses followed by broad smiles of understanding and agreement. There were also some side comments and laughter amongst the men. The word ‘gringa’—foreigner from America—came up a couple of times. Tara thought she also heard the words ‘bonita’, and ‘sexual’, but she couldn’t be sure. She decided to keep a slight distance for the time being. They were in the middle of nowhere, miles from the nearest civilization.

Aurelio walked back towards her. ‘They will be happy to show you around, but we should remember our time limitations. We cannot spend more that half an hour here if we are to return to Santo Domingo before dark.’

‘Are you trying to protect me from these guys?’ she asked with a smile. Aurelio looked embarrassed.

‘What’s he cooking?’ she asked to change the subject. ‘It smells great.’

‘That is called arroz con abichuelas, a mixture of rice and beans. He is probably cooking some small pieces of beef with it, but it could be any meat.’

‘Can one buy that in a restaurant in Santo Domingo?’

‘Of course, but not exactly the same. This is a local dish for locals. To sell food like this to tourists would be like offering leftovers to your guests. It would not be right. In the restaurants it is much more carefully presented and is usually served with salads.’

The word ‘dignity’ popped into Tara’s mind. Aurelio seemed to have it, and that was what she had seen on the faces of the fruit vendor and the amber polisher and, now, even the miners as she approached them. Other than their initial jocularity, they seemed to consider her as their guest and themselves as hosts who happily welcomed visitors into their world. The men were just being men.

As they approached the entrance to the mine, a happy looking miner wearing a backward facing baseball cap sat with a short-handled pick in one hand, a lump of soft rock in the other.

‘Hola, señorita,’ he said, grinning broadly.

She smiled back at him, lifted her hand in greeting, but continued to follow Aurelio to the mine entrance. It was like standing at the entrance to the burrow of a large animal.


Beyond Neanderthal
There is an energy force in the world—known to the Ancients—that has largely escaped the interest of the modern day world. Why? There are allusions to this energy in the Chinese I-Ching, in the Hebrew Torah, in the Christian Bible, in the Hindu Sanskrit Ramayana and in the Muslim Holy Qur'an. Its force is strongest within the Earth's magnetic triangles.
Near one of these--the Bermuda Triangle--circumstances bring together four very different people. Patrick Gallagher is a mining engineer searching for a viable alternative to fossil fuels; Tara Geoffrey, an airline pilot on holidays in the Caribbean; Yehuda Rosenberg, a physicist preoccupied with ancient history; and Mehmet Kuhl, a minerals broker, a Sufi Muslim with an unusual past. Can they unravel the secrets of the Ancients that may also hold the answer to the future of civilization?
About the Author:
In 1987, Brian and his young family migrated from South Africa to Australia where he was employed in Citicorp’s Venture Capital division. He was expecting that Natural Gas would become the world’s next energy paradigm but, surprisingly, it was slow in coming. He then became conscious of the raw power of self-serving vested interests to trump what – from an ethical perspective – should have been society’s greater interests.
Eventually, in 2005, with encouragement from his long suffering wife, Denise, he decided to do something about what he was witnessing: Beyond Neanderthal was the result; The Last Finesse is the prequel.
The Last Finesse is Brian’s second factional novel. Both were written for the simultaneous entertainment and invigoration of the thinking element of society. It is a prequel to Beyond Neanderthal, which takes a visionary view of humanity’s future, provided we can sublimate our Neanderthal drive to entrench pecking orders in society. The Last Finesse is more “now” oriented. Together, these two books reflect a holistic, right brain/left brain view of the challenges faced by humanity; and how we might meet them. All our problems – including the mountain of debt that casts its shadow over the world’s wallowing economy – are soluble.
Buy Now @ Amazon
Genre – Thriller
Rating – MA (15+)
More details about the author
Connect with Brian Bloom on Twitter

Meet & Greet with #Author Michael Gilwood @MichaelGilwood #SciFi #AmReading


Why did you choose to write this particular book? I needed to get this particular message across.
What was the hardest part about writing this book? The editing.
How do you promote this book? I leave that up to my wonderful publisher.
Will you write others in this same genre? Yes.
Is there a message in your novel that you want readers to grasp? The reality of the possibilty of human origins.
How much of the book is realistic? Locations.
Have you included a lot of your life experiences, even friends, in the plot? None.
How important do you think villains are in a story? They can be just as important as the main character.
What are your goals as a writer? To finish the remaining eleven novels i have started ad to publish a compelation of short stories i wrote twenty years ago.
Who is your favorite author and why? Arthur C Clarke. I have always loved his work combing skill with detail.
Can we expect any more books from you in the future? Most definitely.
Have you started another book yet? Yes.
Where do you see yourself in five years? Hopefully behind a bigger desk with a better lap-top.
What are your current writing projects now? I am presently working on three simultaneous works.
Are you reading any interesting books at the moment? No.
Are there any new authors that have sparked your interest and why? No time.
What contributes to making a writer successful? Perseverance.
Do you have any advice for writers? Don't give up and stay focused.
Do you have any specific last thoughts that you want to say to your readers? Enjoy my books. I hope they bring as much pleasure to you as they did to me writing them.
What do you do to unwind and relax? I go for long walks or cook food.  
When you wish to end your career, stop writing, and look back on your life, what thoughts would you like to have? I really enjoyed what i did and was glad to have participated, sharing my ideas with people.

Anomoly
When two-hundred year old human remains are found on one of Neptune's moons, Earth's history falls into chaos. The momentous discovery points planet earth towards a solar system a thousand light years away. Twenty years later, Captain Philip Wakefield and his team, onboard the starship Excelsior, reaches the solar system of Mintaka and continues the investigation. But they are not the only thing evolving in the galaxy. Something frightening has them in its sights. Their discovery of the very cradle of humankind becomes a struggle for interstellar survival.
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Genre - Science Fiction
Rating – PG
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#Author C.D. Verhoff's Thoughts on Common Newbie Mistake @CDVerhoff #WriteTip #AmWriting

Common Newbie Mistakes & How to Avoid Them 
  1. Starting with a prologue.  General rule of thumb, ask yourself if the story makes sense without the prologue. If it does, get rid of it.. When your book contains a prologue, in essence, you’re starting the story twice. It’s difficult enough to hook the reader once, so don’t risk having to do it twice.
  2. Opening with a dream scene. This is equivalent to playing a trick on your readers. “Ha, ha, reader. I made you think these first five pages were really happening, but they were just a dream. Fooled ya!” Your readers will not be amused.
  3. Overusing exclamation points. I’ve seen veteran writers recommend no more than one exclamation point per 100,000 words. I don’t live by that guideline, but I try to use them sparingly.
  4. Failing to embrace the word “said”. It’s the dialogue word of choice, so apply liberally. Professional fiction writers refer to it as an invisible word. The mind overlooks it, which keeps the reader’s attention on the story, not the prose. That’s a good thing. He replied, he growled, he sighed, she retorted, she quipped and so on—reserve them for rare occasions.
  5. Opening the story with the main character waking up. But it’s the most natural place in the world to begin, some will say. I won’t argue the point and neither will a million other new writers who have started their stories exactly the same way. Having the main character wake up and throw the alarm clock is also cliché. So is waking up and shuffling to the mirror to give a character’s description (see #6 below).
  6. Having the main character look in the mirror or some other reflective surface in order to give physical description. I have seen lots of beginner writers, including myself back in the day, start their novel something like this. The main character wakes up, stretches, shuffles over to the basin to splash water on his or her face. The character gazes in the mirror to contemplate his or her emerald eyes, curly disheveled raven locks, or chiseled jaw and six-pack abs. New writers think this is a clever way to sneak in description. but no. It’s usually the mark of an amateur.
  7. Waiting too long to introduce the conflict. Paragraph one of the first chapter should deliver the conflict or at least hint at it. It will be difficult to convince your reader to turn the page without it.
  8. Bad guy clichés. They are easy to pick out because they are they characters dressed in black—usually black leather. They often don dark sunglasses, have pock marked skin, scars and are in serious need of plastic surgery. For some reason, bad guys frequently smell like garlic and onions. For once, I’d like to meet a bad guy in plaid who smells like wintergreen mouthwash.
  9. Adverb addiction. Whenever you spot one, kill it. You can usually spot them by the –ly ending. If you can’t go cold turkey, try limiting yourself to one per chapter. If I haven’t convinced you to let go of this manuscript disfiguring addiction, I suggest reading Stephen King’s book, On Writing.
  10. Average Joe and Jane characters. I can hear the protests now. Are you crazy? It’s Joe’s ordinariness that makes him so gosh darn relatable. I agree to a certain point, but on some level a character must be larger than life. Part of the draw of fiction is that it draws readers into a different kind of life. They are seeking new experiences, the unusual, the dramatic, the inspiring, disturbing and memorable. Hanging with Plain Jane for three hundred pages isn’t very inspiring. Jane needs to possess extraordinary inner strength, wit, self awareness, deep inner conflict or something that makes her not so average.
  11. Inattention to micro-tension.  This is the moment-by-moment conflict that keeps a reader in a continuous state of suspense. Micro-tension is separate from the main conflict, it is not the same as plot. This kind of tension comes from the inside of the your characters, their emotions in conflict, ideas at war with one another, their inner turmoil. Bring it out in your character’s thoughts, his dialogue, and his reaction to the world around him.
  12. Going it on your own.  Four eyes are better than two. Two brains are better than one. I suggest growing a thick skin and seeking honest feedback from a critique buddy. And don’t be snobby about it. Finding an experienced writer to exchange chapters with is like finding gold and a beginner is silver. Both are valuable commodities. If you don’t know any writers who might want to exchange critique with you, a good place to find one is an online site called Critique Circle. I found a great critique buddy on Goodreads by combing through the various writing groups. Hatrack is another possible avenue.
Good luck and happy writing.
C. D. Verhoff

PromisedLand
The last survivors of the human race are riding out nuclear winter in an underground bunker when disaster strikes. Forced to the surface centuries ahead of schedule, what they find blows their minds. Who can explain it? Two social misfits work together to unravel the mystery.
After living in a posh underground shelter his entire life, Lars Steelsun is plunged headfirst into a mind-blowing adventure on the surface of the Earth. As Lars and his displaced bunker mates are led across the grasslands by Mayor Wakeland, a man of questionable sanity who claims to talk with God, they discover a primitive world where human beings are no longer welcome. 
Even more mystifying is the emergence of new senses and abilities from within. Learning to use them has become a priority, but his biggest challenge comes from the vivacious Josie Albright. Her lust for glory is going to get them both into trouble. Sparks fly when her gung ho ways clash with his cautious personality. Can they overcome their differences to find love and a homeland for their people?
May not be suitable for younger readers. Contains mild profanity, sexual situations (infrequent), and violence.
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Genre - Epic Fantasy
Rating – R
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#Excerpt from Riddle Of The Diamond Dove (Arkana Mysteries #4) by N. S. Wikarski #Historical

Chapter 3 - Cold Case
Leroy Hunt stood in the middle of Daley Plaza in downtown Chicago holding a cup of steaming black coffee. He grimaced at the very thought of swallowing that witches’ brew. Its sole purpose was to keep his hands warm. He stamped his booted feet in a vain attempt to get the blood circulating to his toes. The March wind off the lake was cutting right through his denim jacket. March! Back where he came from it would be spring already. He gazed up humorlessly at the Picasso statue staring down its long nose at him. It looked like a fifty foot cross-eyed horse. At the moment, Leroy wished he had a real horse that he could mount and tell to “giddyup.” Why in the name of creation did old Abe want to meet here? Leroy’s first choice would have been a bar, closely followed by a strip club but he knew that a Bible thumper like Metcalf wouldn’t cotton to those suggestions. Out of the corner of his eye, he caught some movement on the opposite side of the plaza.
A late model limo had parked just long enough to let out its passenger. Leroy waved to the geezer climbing out of the back seat and motioned him toward a bench under a tree. Of course there was no shade since the branches were bare but sitting near the trunk did cut the wind some. Hunt got to the bench first and sat down.
Abraham Metcalf, prophet and Diviner of the Blessed Nephilim, took his sweet time hobbling over. “Good afternoon, Mr. Hunt,” the old man said stiffly.
“Boss.” Leroy tipped his Stetson hat. “Set yourself down and take a load off.” The cowboy marveled at the change that had come over his employer in the three months since they’d met last. Although the old man was in his seventies, he’d always carried his age well. Now it looked as if the years had piled onto him like a pack of coon hounds on a cottontail. His eyes were sunken and the bags underneath them had sprouted little bags of their own. Both his beard and mane of white hair were shaggy. The black overcoat that covered his funeral suit hung on him like a sack.
Leroy tried not to show his reaction to this transformation. “How you doin’, Mr. Metcalf?” he asked jauntily, setting the coffee cup down on the bench between them.
Metcalf shrugged off the question. “I’ve had better years.”
“No doubt, no doubt,” Hunt agreed sententiously. “Must be hard for you with your Missus still missin’ and all.”
Metcalf winced at the reference. “Yes, that’s the reason I wished to speak to you. Have you had any luck finding her yet?”
Leroy thought back to his fruitless search for Metcalf’s fourteen year old runaway bride. The trail had gone cold at an antique shop in the city. Of course, he knew she’d made her getaway with the help of Metcalf’s son Daniel but he couldn’t afford to tell the old man that. Daniel was Leroy’s meal ticket—the one person in the world who could find those blasted gewgaws that Metcalf had such a powerful urge to collect and that Leroy had an equally powerful urge to steal afterward. The last thing Hunt wanted was for the old coot to catch wind of the fact that his own son helped his wife to give him the heave ho. Metcalf would kill the relic hunt and his son, not necessarily in that order.
Shielding Daniel wasn’t Hunt’s only concern. He had to make sure he got to Hannah before any of the Nephilim did. That way she couldn’t get chatty with anybody at the compound about who helped her get away. The mercenary’s face betrayed none of these worries. Instead he replied blandly,” I’m sorry to say, I ain’t had no luck findin’ the little gal yet.  I’m guessin’ your own crew ain’t done much better?”
Metcalf sighed deeply. “The devil has taken her. Mark my words, this was no ordinary disappearance.”
“You don’t say,” Leroy drawled, sporting an expression of innocent surprise. He knew the devil had nothing to do with it—unless the devil had taken to disguising himself as a pasty-faced runt named Daniel.
“She was only a child. The devil led her astray and spirited her beyond our reach. None of the brotherhood can find her. I had hoped that one of the Fallen, such as yourself, might have had a better chance.”
It always rubbed Leroy the wrong way whenever one of the Bible thumpers referred to outsiders as “Fallen” but he couldn’t very well let the old man see his annoyance. Instead he asked, “How much time I got left before your son and me need to hit the road to find that next doodad?”
Metcalf sighed even more deeply than before. “Daniel spends all his days at the library in this city.” He looked around the plaza with distaste. “I don’t like the amount of time he is forced to toil in the land of the Fallen.”
Leroy ignored the “F” word again. “Now you don’t need to worry about Daniel none. He’s true blue.”
Metcalf shot him a grateful look. “Thank you, Mr. Hunt, for that reassurance. I believe he is. He says he’s approaching a breakthrough—that within the month he should know where to search for the next relic.”
“That suits me just fine,” Hunt agreed, picking up the coffee cup to thaw his fingers. “Can’t stand much more of this northern air. Them folks that hid the doodads a couple thousand years back seem to favor your warm and sandy lands. I’ll take a hot desert over this iceberg any day of the week.” He glared at the Picasso as if it was somehow responsible for the misty drizzle that was freezing his face off.
“Since you came back from your last mission, surely you’ve discovered some small scrap of evidence that might lead to my Hannah,” Metcalf persisted bleakly.
Leroy wasn’t about to tell him that he’d spent every day since their return three months ago tailing Daniel. He figured that Miss Hannah might try to make contact with her rescuer again once she was somewhere safe but that idea hadn’t panned out. Hunt was going to have to cast a wider net. “No, sir, nothing so far but there’s a couple of other things I could maybe try.”
“Good, I’m glad to hear it.” Metcalf’s voice held a glimmer of hope. “She must be approaching her time to deliver my son.”
Hunt recollected that she’d be pretty far along in her pregnancy by now. Inwardly, he was baffled by the old man’s yen for a little gal that was barely old enough to ride a bicycle without training wheels. He wondered if the Nephilim allowed their kids to have bikes at all. Probably not. It might smack of too much fun. He couldn’t see what the old coot was carrying on about anyway. He had three dozen other wives stashed in the cupboards and closets of his creepy compound. So what if one went missing? He returned to the conversation. “You’re sure the baby’s gonna be a boy? Did you have her checked before she ran off?”
The Diviner seemed puzzled by the question. “Of course it’s a boy. What else could it be?”
Deciding not to pursue the question any further, Leroy changed the subject. “I gotta wonder why you picked this spot to meet, sir. I don’t mind drivin’ way out to your place in the sticks.”
“Your presence at the compound has attracted an inordinate amount of attention lately. Every time one of my flock sees you in my office, the gossip and speculation begin all over again.”
“Gotcha, boss. Best I do my work for you out of sight.”
The old man stared at him hard. “Bring her back to me, Mr. Hunt. You’re my last hope.”
Leroy smiled reassuringly. “I mean to do exactly that, sir. Don’t you worry none.” He failed to mention the shape she’d be in when he did bring her back. Dead.
RiddleofTheDiamondDove
THE ARKANA SERIES: Where Alternative History Meets Archaeology Adventure
Volume Four - Riddle Of The Diamond Dove
"From Kindle Nation fave N. S. Wikarski comes the long-awaited fourth book in her fascinating seven-part Arkana archaeology thriller series -- with more of the wonderful characters, sly humor, intrigue and mayhem that come together to create the absorbing world of her intricate, fast-paced mysteries." (Kindle Nation Daily)
Global Treasure Hunt
Where do you hide an ancient relic that has the power to change the course of history? As Cassie Forsythe and her Arkana team discover, you scatter clues to its whereabouts across the entire planet. Five artifacts buried among the rubble of lost civilizations point to the hiding place of a mythical object known as the Sage Stone. Thus far psychic Cassie, bodyguard Erik, and librarian Griffin have succeeded in recovering two of those artifacts.
Opposing Forces
Cassie and Company find their lives threatened at every turn by agents of a religious cult known as the Blessed Nephilim. The cult's leader, Abraham Metcalf, wants to exploit the power of the Sage Stone to unleash a catastrophic plague on the world. The quest for the next piece of the puzzle has led both sides to Africa. They must comb an entire continent--their only lead a riddle carved onto a mysterious dove sculpture. Even as the Arkana team struggles to decipher the clue, new dangers hover over their colleagues at home.
Other Dangers
Metcalf's child-bride Hannah has taken refuge at the home of the Arkana's leader Faye while mercenary Leroy Hunt creeps ever nearer to her hiding place. His search for the girl brings him dangerously close to the secret location of the Arkana's troves--a collection of pre-patriarchal artifacts which confirm an alternative history of the origins of civilization itself. While Hunt closes in on Hannah, Metcalf's son Daniel dogs the footsteps of the Arkana field team in order to claim the next artifact before they do. Daniel recruits a clever ally along the way who might be more than a match for the opposing side.
Collision Course
When the forces of the Arkana and the Nephilim converge on a ruined city in a forgotten corner of the dark continent, the shocking outcome is beyond even Cassie's powers to foresee. The quest for the Sage Stone will veer in an unexpected direction once both sides solve the Riddle Of The Diamond Dove.
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Genre - Alternative History Fiction
Rating – PG
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London Casey – Why Writing is a Form of Personal Therapy @london_casey

Why Writing is a Form of Personal Therapy
 by: London Casey
            When something tragic happens in life that affects us emotionally, there usually isn’t many people you can talk to that will actually understand.  That is why I turned to writing.  A lot of the themes in the DownCrash series pertain to my life and my past, and it was therapeutic for me to be able to control the situations and the outcomes of them.  It was my way of healing.  Creating the characters and developing their life stories allows me to enter a whole new world and makes life easier to deal with most days.
            I started DownCrash knowing I was going to dive deep into personal stories and emotions. Just how far I wanted to do I wasn’t sure. But writing the series allowed me to really open about my personal life and things I had to endure. At first I thought it would be nice to just write the situations out. To see them on paper and get them off my chest and mind. BUT… something else happened. Writing didn’t give me a chance to put this stuff on paper, it allowed to read about someone else going through it. Sure, these were characters I created, but I was able to back away – like right now – and read the entire DownCrash trilogy and have a better sense of understanding.

            For other writers the person therapy is the concept of writing to get out of our normal lives. Just like how readers approach books – it’s an escape. Don’t forget, for writers, it’s an escape to write too. Yes, it’s our job and we have deadlines, decisions, etc., but at its basic level, it’s about having an escape.
bass guitar stands near the gray wall
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Genre - New Adult Romance
Rating – PG13
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Quality Reads UK Book Club Disclosure: Author interview / guest post has been submitted by the author and previously used on other sites.

Saturday, February 1, 2014

How the English Establishment Framed Stephen Ward by Caroline Kennedy @stephenwardbook #MustRead

How The English Establishment Framed

"How the English Establishment Framed Stephen Ward" is a major expose of a government cover-up that has lasted half a century. It is a powerful story of sexual compulsion, political malice and ultimate betrayal. A number-one bestseller when it came out in 1987 under its original title, "An Affair of State", the book reveals never-before-heard testimony that has been uncovered by the authors in the years since the scandal broke. 

Using startling new evidence, including Ward’s own unpublished memoirs and hundreds of interviews with many who, conscience-stricken, have now spoken out for the first time, this important account rips through a half-century cover-up in order to show exactly why the government, the police forces, the Judiciary and the security forces decided to frame Stephen Ward. Stephen Ward is now the subject of an upcoming Andrew Lloyd-Weber musical and this book offers a wider perspective on its complex, central character as well as a broader insight into one of the greatest scandals of the past 100 years. 

As the authors’ research reveals, Ward’s “trial of the century” was caused by an unprecedented corruption of justice and political malice which resulted in an innocent man becoming a scapegoat for those who could not bear to lose power. This is an epic tale of sex, lies, and governmental abuse whose aftermath almost brought down the government and shook the American, British, and Soviet espionage worlds to their core. With its surprising revelations and meticulous research, Ward’s complete story can finally be told.

Buy Now @ Amazon
Genre – Politics, Espionage, Scandal
Rating – PG-16
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Connect with Caroline Kennedy on Facebook & Twitter

How the English Establishment Framed Stephen Ward by Caroline Kennedy #Scandal #AmReading

How The English Establishment Framed

"How the English Establishment Framed Stephen Ward" is a major expose of a government cover-up that has lasted half a century. It is a powerful story of sexual compulsion, political malice and ultimate betrayal. A number-one bestseller when it came out in 1987 under its original title, "An Affair of State", the book reveals never-before-heard testimony that has been uncovered by the authors in the years since the scandal broke. 

Using startling new evidence, including Ward’s own unpublished memoirs and hundreds of interviews with many who, conscience-stricken, have now spoken out for the first time, this important account rips through a half-century cover-up in order to show exactly why the government, the police forces, the Judiciary and the security forces decided to frame Stephen Ward. Stephen Ward is now the subject of an upcoming Andrew Lloyd-Weber musical and this book offers a wider perspective on its complex, central character as well as a broader insight into one of the greatest scandals of the past 100 years. 

As the authors’ research reveals, Ward’s “trial of the century” was caused by an unprecedented corruption of justice and political malice which resulted in an innocent man becoming a scapegoat for those who could not bear to lose power. This is an epic tale of sex, lies, and governmental abuse whose aftermath almost brought down the government and shook the American, British, and Soviet espionage worlds to their core. With its surprising revelations and meticulous research, Ward’s complete story can finally be told.

Buy Now @ Amazon
Genre – Politics, Espionage, Scandal
Rating – PG-16
More details about the author
Connect with Caroline Kennedy on Facebook & Twitter
Book Trailer